There's a lot to say about the stage production of "The Lion King", but let's face it, the musical was about the staging.I attended the opening night performance last night at The Paramount Theater in Seattle, and came away, like the rest of the crowd, dazzled at the staging.
The performances, primarily the dancing, were wonderful. Beautiful bodies frozen in space and time in unbelievably sinuous tableau. Classic Japanese Kabuki theater mixed with African music, Indonesian puppetry, even a little ragtime thrown in for good measure. A few memorable songs, and some great acting kept things moving.
All that was great. But for me, it was all about the staging.
And these simple costumes were my favorites. Cast members dressed with square high-grass headdresses, and stripped hoop skirts, portraying the undulating grasslands of the African plains. They were so beautiful.
All the staging was phenomenal. Curtains pulled back at an angle to highlight the angle of a rock where a lion was reclining.
Every scene was a work of art.
Much has been written about the animal costumes. And they were wonderful. There were incredible giraffes, the elephants were engineering marvels as was the "wheel-o-the-gazelles", a multi-wheeled contraption rolled on stage with leaping gazelles to give the image of far-away herds.
I also especially liked the birds. sometimes they were waved high atop poles, swooping over the crowd. Other times, they spun in pairs around a single pole. And sometimes they were in puppet form, complete with moving eyes, mouth and a very expressive neck.
But the representation of the plains was, to me, the most ingenious part. What production designer collaborated to turn the land itself into a star of the show?
That part will stay with me.













